Chesapeake Music brings renowned musicians to delight, engage and surprise today's audiences, and educate, inspire and develop tomorrow's.

International Chamber Music Competition for Young Professionals Rescheduled for Saturday April 10, 20201 at the Avalon Theatre.

Please enjoy these past performances.

AYA Piano Trio

Hailing from Philadelphia and the Curtis Institute, the AYA Piano Trio has already been together for seven years. Members include Angela Chan (violin), Ying Li (piano) and Andres Sanchez (cello). They have performed in a number of Music Festivals, won recognition in other Competitions and debuted in New York City at the Mannes New School Concert Series. These are notable accomplishments for three talented musicians who have just reached their early 20’s!

We feature them performing the Beethoven Piano Trio in Bflat Major, Op. 97, the Archduke. This being the 250 anniversary of Beethoven’s birth, Chesapeake Music had planned to feature his work in this year’s Chamber Music Festival. The AYA Trio and I agreed that we could join in that celebration.

This work, named for Beethoven’s friend and student Archduke Rudolf of Austria, was first performed publicly in 1814 with Beethoven on piano. Due to his advancing deafness, this was
the last public appearance of Beethoven as pianist, a great loss to the music world according to contemporary critics.

Colores Trio

Joining us from Zurich, Switzerland is the Colores Trio, a percussion ensemble formed in 2017 at the Zurich University of the Arts. They present a rich and varied repertoire of both contemporary works and new arrangements of classical works. Members include Fabian Ziegler, Luca Staffelbach and Matthias Kessler. These young musicians have already won wide recognition and awards throughout Europe and Chesapeake Music is looking forward to welcoming them to Easton next spring.

They are featured here in a performance of Camille Saint-Saens’ stirring work, Danse Macabre. The piece celebrates the ghostly ritual in which Death calls on the dead to dance for him until dawn mandates their return to their graves. Saint-Saens originally composed this as an art song for voice and piano in 1872. By 1874, it had expanded to a tone poem for full orchestra with the voice replaced by a solo violin.

This presentation is a special arrangement provided by ensemble member Luca Staffelbach. While musically striking, it is also a visual treat as the nimble hands of the musicians literally dance across the marimba, much as the dead must have danced in the original tale.